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To Stein, the life of the artist may not be apparently monastic, or holy, but there is the same sense of sacrifice, of vocation, of having been entrusted with something greater and dearer than ones own happiness. This sentiment follows Lababidi who says that the artist is called to service and exalted. There is a great deal of play between Christian religiosity and a kind of eastern self-denial throughout this book, however I dont think it would be right to characterize Steins mystic as a version of the Christian monk

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Out of doors where his life was principally led the chewer spat upon his lands without offence to other men, and his homes and public buildings were supplied with spittoons