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great madman and mulatto composer”
Originally written for a two-manual harpsichord
Scholarship has advanced
It was notably Robert Hausmann’s advocacy of the work which seems to have contributed greatly to its promotion
Ave Maria - Bach/Gounod Arabesque the United StatesGounod had no qualms about arranging well known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C major Prelude BWV 846 from Bachs Well Tempered Clavier. He first published instrumental versions of it under the title Mditation, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria.
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