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the almost calligraphic brass inlay
Most probably a unique commissioned stand-alone piece
There are the usual abrasion marks and associated wear that one would expect with a fissure across part of the equator
the colon being more particularly affected
possint usquedum vel jus patronatus ejusdem sacelli retineat
After Robert Adam (1728-1792); A Fine Hand-Painted Classical Frieze on Silk c.1770 sub-Rugs- Carpets & Textiles the almost calligraphic brass inlayOrigin: EnglishPeriod: George IIIProvenance: UnknownDate: c. 1760 80Width: 67Height: 21The very finely drawn classical painted frieze on silk, after Robert Adam (1728 1792), depicting a rectangular stone plaque to the centre with a reclining female figure and an infant offering a posy of flowers, surmounted by a flowering urn, and flanked by foliate arabesques and oval stone medallions to flaming torches, each depicting a female deity, to a dark